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ALL GLORY TO THE HYPNOTOAD
Enter Aldiko, an excellent and free ebook reader specifically made for Android. Not only does it provide all of the basic functionality that you might need to read books - automatic placeholders, multiple bookmarks, text resizing, and a night and day mode - but it also serves as an excellent way to show off your book collection. There's even a store interface that offers free and buyable books from FeedBooks, O'Reilly, Smashwords, and All Romance ebooks, if you're into that sort of thing. If you can't find what you're looking for through the store, there is an import function that, while easy, can become a bit cumbersome to manage if you begin to accumulate a large amount of books. It's not any worse than manually managing any other form of media on an Android device (by far the worst aspect of the OS), so if you can add your music or video, you can deal with the books, too.
Aldiko only reads books in the epub format, which was originally a limiting factory considering many of my books were PDFs (even sometimes txt or html files). In solving this problem, I stumbled upon another great piece of software, Calibre, which not only serves as an easy and imaged-based way of managing your desktop ebook collection, but it can convert a book in literally any format (DRM excluded, of course) to any other format. It was a simple thing to convert my HTML copy of Anthony Bourdain's Kitchen Confidential, to epub, adding metadata and coverart to the file in the process.
Before Steve Carrell and team brought it to America, The Office was a two-season series in the UK created by and starring Ricky Gervais. Though I would argue that the dark wit, and genuineness, and the ending of the original outshines the American version (though both versions have their strengths), the show, followed by his other successful show “Extras,” propelled Gervais into stardom. Before and after the success of his TV shows and movies, Gervais, along with his writing partner Stephen Merchant, hosted a netcast* that eventually evolved into featuring the oddball opinions of their produce, Karl Pilkington. As the comedy duo moved into films and hosting awards shows, the broadcasts aren’t as regular as they used to be, but with several “seasons” of material in the can, there’s a wealth of information available for the producers of The Ricky Gervais Show, HBO’s other new Friday night show that animates the previously-recorded netcasts.
The format is one that should be familiar to those who used to watch Dr. Katz, Professional Therapist on Comedy Central. Whereas the squiggly TV show was mostly just a sounding board for comedians to come and perform a few jokes from their act, RGS shows the three guys sitting at a radio station console, talking to the words originally spoke by Gervais, Merchant, and Pilkington, and animating a scene when something interesting is talked about. Dr. Katz wasn’t completely rehashed material, though – there was a storyline and improve conversations that permeated the episode, and while it usually wasn’t as funny as the jokes of the comedians, it kept things interesting, especially if you were already a fan of the comedian of the day. The Ricky Gervais Show is nothing but a straight 25 minutes from the podcast.
While I'm not going to fault anyone if Pandora's their app of choice, I prefer the companion app for website Last.fm. When you're on your desktop, phone, or any other devices, and you listen to a song, that information gets uploaded to the site in a process called "scrobbling." Using the information, the website provides recommendations to other artists that you may enjoy, and suggests friends who share the same musical tastes as you. They offer free radio stations like Pandora, too, and since you are constantly giving them new music information, regardless of device, I think their algorithm is more accurate than what's provided by Pandora.
The show is set up as a mock 1960s television network, from which airs these skits as their programming. The format is not new – SCTV and The Kentucky Fried Movie did this long ago, and it’s a good way to wrap up a series of unrelated material into a cohesive package. With FoDP, the wrapper isn’t really used to any extent – the skits are introduced using the theme, and there are quick little 10-second interstitials with the logo, but it’s difference for the sake of being different, a recurring theme.